Feuilly (
tu_vas_triompher) wrote2015-07-19 01:14 pm
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(AU week)
Feuilly has been telling himself that it's all right to be bound here, after the bitter defeat to their cause. Time isn't passing in Paris--however that works--he's using the time to rest, to study, to learn for the republicans' next attempt--
--he's resting with Harry, Prince of Wales, and studying the swordsmanship of four hundred years ago, and learning how to communicate a few faint ideas of 1830 to a long-gone English kingdom.
So now, spurred by Bahorel's restless energy, the news of Joly's illness, he's pulled out the work he's neglected lately, a sort of extract or paraphrase or adaptation--whatever you want to call it--of the Communist Manifesto. It's challenging work, pulling it together in terms for 1830 Paris, but it's not so very far past their time as all that. It's not a moment too soon for socialism!
--he's resting with Harry, Prince of Wales, and studying the swordsmanship of four hundred years ago, and learning how to communicate a few faint ideas of 1830 to a long-gone English kingdom.
So now, spurred by Bahorel's restless energy, the news of Joly's illness, he's pulled out the work he's neglected lately, a sort of extract or paraphrase or adaptation--whatever you want to call it--of the Communist Manifesto. It's challenging work, pulling it together in terms for 1830 Paris, but it's not so very far past their time as all that. It's not a moment too soon for socialism!
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He tugs Feuilly's arm. "Come."
Across the court, past the chapel, towards the stable-- but he passes that, too, and makes instead for one of the guard towers set into the wall. The stairway, like the others, is narrow and must be climbed single-file, so he nudges Feuilly in front of him. There's only one way to go, after all: up and out onto the parapet.
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Well. He'll still have Louis-Philippe to fight when he gets back.
He's probably slower going up the stairs than Harry would like--he has a care for his neck and his limbs--but his expression of delight when they're out in the open again, up high, ought to gratify anyone. "Ah, Harry--"
Emilia can't contain herself; she flies a circle over their heads.
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"Coventry is that way-- Warwick that, and London beyond--"
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Feuilly is speechless. Even Emilia is speechless.
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"I wish you could see Paris," Feuilly says finally. He could give back some portion of this treasure, then--no, share it even more thoroughly.
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Some people have very small daemons, he thinks; possibly Harry could pass as someone with a shy beetle hiding in his pocket?
It's hard to imagine Harry with a shy beetle daemon hiding away. Feuilly shakes his head and laughs at the thought. "You could at least come into my room and look out the window. We'd manage. --Thank you, Harry. This is wonderful."
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He glances back towards the stair. "Shall we descend?"
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"It will not be an ill place for a dog?" he asks Feuilly quietly. "With the magic and strangeness?"
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"My friend is new come from France, where they keep not such fine dogs as we have, and I but wished to show him. You need not trouble-- indeed, you need not stay."
It's a subtler dismissal than the one Harry offered to the servant in the castle, but the boy still recognizes it for what it is and hurries to absent himself. The kennel is less like cages or stalls and more like a tiny paddock within which the dogs roam freely-- or, more specifically, are free to advance on Feuilly and Harry as they step inside, barking, tails wagging.
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...they clearly like Harry.
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"This is Lady," Harry says solemnly.
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Feuilly is rather absently rubbing the ears of a larger hound, an old cloudy-eyed fellow who seems to have opted for leaning heavily against him instead of joining the busy throng around Harry.
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With regret, he detaches himself from the elderly hound. Who's a good boy.
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Yes, he very obviously wants to take the dog. Emilia bites his ear. Ow.
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