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Feuilly ([personal profile] tu_vas_triompher) wrote2015-07-19 01:14 pm
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(AU week)

Feuilly has been telling himself that it's all right to be bound here, after the bitter defeat to their cause. Time isn't passing in Paris--however that works--he's using the time to rest, to study, to learn for the republicans' next attempt--

--he's resting with Harry, Prince of Wales, and studying the swordsmanship of four hundred years ago, and learning how to communicate a few faint ideas of 1830 to a long-gone English kingdom.

So now, spurred by Bahorel's restless energy, the news of Joly's illness, he's pulled out the work he's neglected lately, a sort of extract or paraphrase or adaptation--whatever you want to call it--of the Communist Manifesto. It's challenging work, pulling it together in terms for 1830 Paris, but it's not so very far past their time as all that. It's not a moment too soon for socialism!
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[personal profile] harryhotspur 2015-07-22 01:37 pm (UTC)(link)
"If he likes it not, we will return it," Harry says with a shrug.

He wanders over to contemplate one of the tapestries: a unicorn curled demurely in a lush, Edenic garden. They are neither of them very tall, and the tapestry... is. Because he is such a delicate, cautious sort of person, Harry grabs hold of the bottom and gives it a sharp yank. This does work, though it tears two short lines into the top of the fabric, from the nails that held it to the wall.
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[personal profile] harryhotspur 2015-07-22 01:49 pm (UTC)(link)
Harry starts rolling it up, probably a bit painfully roughly in the eyes of someone who cares more than he does about such things-- though he does take enough care to keep it out of reach of Lady, who has decided that it's time for a round of Bite That Thing. He tucks the roll under one arm, takes a last look around the room. As he approaches the door back to Milliways, he offers his hand to Feuilly once again-- just in case, you know.